Finding the new in the old and the old in the new is often a well worn path for any creative process and with this series the two paradigms are brought together in a simple one to one. Someone(not me) could spend a lot of time wading into art theory about this notion but truth-be-told it’s my love of chronological juxtaposition that makes this such a personally engaging exploration. The pleasing sense of making these is as much about communicating the skin of the forms as it is about showing the body. The eye is drawn down two simultaneous tangents, the first being the form and materiality that feels somehow better placed in science and technology, while the other, the surface story, goes back into classical periods and throws out old familiar motifs we feel like we’ve seen before but can’t quite place.